Who was Jane Morris? A lecture at Columbia University, NYC.
My photograph of Frank C. Sharp
Frank Sharp gave a lecture focusing on Jane Morris and the
important moments in her life using excerpts of her letters from a new book he
edited with Jan Marsh, ‘The Collected Letters of Jane Morris’ as well as
gifting the audience with his wonderful stories of her, anecdotes from colleagues
and friends of The Morris’s as well. He
really brought her to life and shed new light on how we have ‘wrongly’ perceived
Jane Morris over the decades. In addition, as Mr. Sharp spoke, he was
accompanied by photographic images and paintings of Jane Morris through various
stages of her life. However, only one photograph with one of her daughters was
included. It was mainly Jane Morris alone, for whatever reason.
Throughout his fascinating lecture, I took notes and wanted
to share just the highlighted memories or interesting bits. I do not own a copy of ‘The Collected Letters’
as it is very expensive, so I’m winging it purely as a lover of Pre-Raphaelite Art and someone who has
studied the artists I admire in the brotherhood, purely for fun and enjoyment or
to satisfy my own curiosity. Listening to Frank speak, I was wondering how Jane
Morris fit into the Victorian era or did she? Was she more than just a painter’s
muse? How intelligent was she? Did she have aspirations of her own or was she
satisfied with being a painter’s wife? Well, Jane Morris was anything but
satisfied with her lot in life. It is Frank Sharp’s belief, or so he stated in
his lecture, that as a result of Jane Morris’s two affairs—one with Dante Gabriel
Rossetti and one with Wilfrid Scawen Blunt, she has been branded and ‘immortalized’
as the ‘prostitute’ or someone so non sequential who doesn’t even rate as worth
remembering. For instance, Frank explained how the lecture title, ‘Forgiving
Janey’ occurred. He was discussing Jane Morris with someone who when her name
was mentioned reacted with such disgust the person said to Frank, ‘I
just can’t forgive that woman!’ Should we forgive her and what for? So, Frank
began attempting to answer these questions and to dispel this negative myth of
Jane Morris. He explained how editing books became such a problem for him
because Jane Morris’s life was not catalogued since she was not deemed
important enough for scholars and the like to ‘catalog an artist’s girlfriend’
which is exactly what one library cataloguer told Mr. Sharp while he was
gathering his research. How do you trace a woman who he thought of as an
important woman when the so called experts whose job it is don’t agree?
The next question Frank asked was why is Jane Morris
significant? His answer, he believes because ‘she recreated her identity after
meeting William Morris’. William Morris
must have provided her with special tutors to better her education since it was
after Jane met Morris she learned and became fluent in French and Italian. Jane
would also alter her speech depending upon who she met and was engaging in
conversation with throughout her life with William Morris. Jane was extremely well
read; her letters tell us that she read Goethe and was a favorite of hers in
addition to others such as Tennyson and Shakespeare.
Between the years 1865-1885 Jane was in charge of Morris
& Co, the Morris Decorating Firm. Jane became an expert in embroidery
including embroidering a set of curtains with floral designs. She contributed
to a series of panels depicting famous women.
Jane taught her daughter May to embroider. Jane even
critiqued May’s entry to one of William Morris’s books. Frank Sharp read an
excerpt from a letter Jane wrote to May in 1899 that’s in the collected letters
book but I couldn’t write down the entire excerpt of the letter, though.
In 1882 Jane became involved with the Icelandic Relief Fund.
She also campaigned to help St. Mark’s Basilica in Venice, Italy. She handled
the business with their home Kelmscott after the death of William Morris,
including involvement in the printing press. Here, Frank reads an excerpt from
Jane’s letter to Blunt, sorry couldn’t catch it.
Discussing Jane’s influence on Dante Gabriel Rossetti, Frank
remarked on how Jane urged Rossetti to exhibit his paintings at the Grovesnor
Gallery since ‘Ned’ or Edward Burne-Jones had already done so but Rossetti
never took Jane’s advice and passed on exhibiting at the Grosvenor.
Also, Frank mentions how Jane last modeled for Rossetti in
1881 and in a previously unknown letter in 1882 Jane received news of Rossetti’s
death owing to chloral, Jane says, ‘I gave up on him’.
Frank again emphasizes the purpose behind this new edition
of ‘The Collected Letters’ book with Jan Marsh which includes previously
unknown letters, totaling 570, is because Rossetti and Blunt’s letters depict
Jane is such a negative light. They are hoping to make people aware of what an
intelligent and genuine woman Jane Morris was.
Frank covers the
brotherly friendship between William Morris and Crom Price who was a student of
Rudyard Kipling. Frank reads excerpts from Jane’s letters to Crom Price, ‘I
want to try to be respectable or I’ll be a pauper instead.’ And how she
tells Price, ‘I have a new disease socialism on the brain.’ Jane Morris had a wonderful sense of
humor. Jane Morris has a keen interest
in politics but not William Morris’s idea of socialism. She had her own
opinions on Socialism that were separate from her husband’s and she liked it
that way whether or not Morris agreed with her was another topic altogether!
Frank discusses the idea or belief that Jane and William
Morris had a broken marriage but says this is misplaced, especially if you take
a look at the way Jane supported practically every facet of his career even
honoring his memory after he died.
Jane Morris takes more than in interest in the suffrage
movement even making her first friend as a result with Jane Cobden (?). Frank
reads an excerpt from Jane Morris’s letter to Jane Cobden and this sentence
struck me, “I want both sexes to have equal rights where women are better
educated.” Also the name of
Millicent Fawcett was mentioned as a friend of Jane Morris during this time.
Friends of Jane Morris during her later years include George
and Rosalind Howard, the Countess of Carlyle, who resided at Castle
Howard. A portrait of her can be found
on the Rossetti Archive.
One side note: Frank
Sharp mentioned that during Jane Morris’s
time with Wilifred Blunt she designed the cover to his 1889 edition of In
Vinculus and it was a creamy white cover with a shamrock. It is housed
at the British Library. I looked for it online but couldn’t find it.
My photograph of a painting of Jane Morris as Pia de’ Tolomei by Dante Gabriel Rossetti
Feel free to leave comments,
Comments
Anyway, good news, I am also working on a book about Jane Morris... an artists’ book: 'Jane Morris' life story, seen through the eyes of her contemporary double'. The booklet will be available at the William Morris Gallery, in 2014, for an affordable price.
The travel story consists of fragments of my dreams of Jane and William Morris, Rossetti, their homes and their cultural heritage. Practical travel information is also included to enable those interested to visit the spots that played such an an important part in Jane's life.
http://www.reflectionsonjanemorris.com/travel-guide/