Showing posts from October, 2016

A review of The Last Days of Leda Grey by Essie Fox

During the oppressive heat wave of 1976 a young journalist, Ed Peters, finds an Edwardian photograph in a junk shop in the Brighton Lanes. It shows an alluring, dark-haired girl, an actress whose name was Leda Grey. Enchanted by the image, Ed learns Leda Grey is still living - now a recluse in a decaying cliff-top house she once shared with a man named Charles Beauvois, a director of early silent film. As Beauvois's muse and lover, Leda often starred in scenes where stage magic and trick photography were used to astonishing effect.  But, while playing a cursed Egyptian queen, the fantasies captured on celluloid were echoed in reality when Beauvois suspected a love affair between Leda and her leading man. A horrific accident left Leda abandoned and alone for more than half a century - until Ed Peters finds her and hears the secrets of her past, resulting in a climax more haunting than any to be found in the silent films of Charles Beauvois. Paperback ,

Visiting Kate Keown and May Prinsep: Sitters to Julia Margaret Cameron: Swann Galleries Auction

Swann Galleries is a small auction gallery on the Upper East Side of New York City. On Tuesday, October 25th, 2016 two photographs by nineteenth-century photographer, Julia Margaret Cameron will be included in this auction, Art & Storytelling: Photographs & Photobooks , an auction featuring examples of the medium from its inception in the early nineteenth century through contemporary works. I was lucky enough to be able to visit Swann Galleries yesterday on my lunch break at work before the gallery closed. I expected to see  Kate Keown's albumen print by Mrs. Cameron. However, I was happily surprised to see May Prinsep dressed as Cenci staring right back at me. Well, we meet again future, Lady Tennyson!          From Art & Storytelling: Photographs & Photobooks catalogue. JULIA MARGARET CAMERON (1815-1879) Portrait of Kate Keown. Circular albumen print, the image measuring 11 3/8 inches (28.9 cm.) in diameter, the mount 20 3/4x16 7/8 inches (52.7x4

Happy U.S. publication day and review of Julia Margaret Cameron By Herself, Virginia Woolf And Roger Fry

This book reprints Virginia Woolf's witty and moving biographical essay of her great-aunt, and Roger Fry's pioneering study of the photographs published together in 1926 under the title Victorian Photographs of Famous Men and Fair Women . To these are added Julia Margaret Cameron's own auto-biographical fragment, Annals of the Glass House , and her only surviving poem, On a Portrait . They are introduced by Tristram Powell. Tristram Powell is a film-maker and historian of photography. Virginia Woolf (1882-1941), a central figure of the Bloomsbury Group, is best known for the nonlinear narrative of her novels, and for her feminism. Roger Fry (1866-1934), painter and critic, was another member of the Bloomsbury Group. He was a leading champion of Post-Impressionism. Daguerreotype portrait of Julia Margaret Cameron and her daughter, Julia Hay Cameron by Unknown, 1845, National Media Museum The photographer is unknown but it is possible that the image was made