Haworth Parsonage, February 1846: The Brontë sisters— Anne, Emily, and Charlotte—are busy with their literary pursuits. As they query publishers for their poetry, each sister hopes to write a full-length novel that will thrill the reading public. They’re also hoping for a new case for their fledgling detecting enterprise, Bell Brothers and Company solicitors. On a bitterly cold February evening, their housekeeper Tabby tells them of a grim discovery at Scar Top House, an old farmhouse belonging to the Bradshaw family. A set of bones has been found bricked up in a chimney breast inside the ancient home. Tabby says it’s bad doings, and dark omens for all of them. The rattled housekeeper gives them a warning, telling the sisters of a chilling rumo Book Depository r attached to the family. The villagers believe that, on the verge of bankruptcy, Clifton Bradshaw sold his soul to the devil in return for great riches. Does this have anything to do with the bones found in the Bradshaw house?
Showing posts from February, 2021
A daughter's tribute to her mother: Christina Rossetti in her own words to her mother Frances Rossetti (nee Polidori)
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Mother and Daughter posed together, Frances Rossetti and daughter Christina Rossetti by Charles Dodgson, albumen print, 7 October 1863, NPG A beautiful tribute to her mother in Christina Rossetti's own handwriting: Sonnets are full of love, and this our tome So full of sonnets: so here now shall be A sonnet and a love - sonnet from me To my first love, my Mother, on whose knee I learnt love-lore that is not troublesome; Whose heart is still my heart’s most quiet home, Whose service is my special dignity, And she my loadstar while I go and come. And so because you love me, and because I love you Mother, i have woven a wreath Of rhymes wherewith to crown your honoured name: In you not fourscore years can dim the flame Of love, whose blessed glow transcends the laws Of time and change and mortal life and death. The above was from a two page undated letter by Christina Rossetti to her brother Dante Gabriel Rossetti. Housed and Archived as part of Christina Rossetti's papers at
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Hardcover ISBN 978-0-8214-2426-1 Retail price: $80.00 Release date: January 2021 81 illus. · 254 pages · 7 × 10 in The Lady of Shalott by William Holman-Hunt Engraved by the Dalziels /J. Thompson, 1857, Wood engraving A new perspective on a book that transformed Victorian illustration into a stand-alone art. Edward Moxon’s 1857 edition of Alfred, Lord Tennyson’s Poems dramatically redefined the relationship between images and words in print. Cooke’s study, the first book to address the subject in over 120 years, presents a sweeping analysis of the illustrators and the complex and challenging ways in which they interpreted Tennyson’s poetry. This book considers the volume’s historical context, examining in detail the roles of publisher, engravers, and binding designer, as well as the material difficulties of printing its fine illustrations, which recreate the effects of painting. Arranged thematically and reproducing all the original images, the chapters present a detailed reappr